Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Franz Ludwig Catel
olskizze for ein Deckengemalde im Landgrafenschlo oder Orangeriegebaude in Kassel
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ID: 66435

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Franz Ludwig Catel olskizze for ein Deckengemalde im Landgrafenschlo oder Orangeriegebaude in Kassel


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Franz Ludwig Catel

German Painter, 1778-1856,German painter. As a child, Catel helped carve small wooden figures in the toyshop owned by his father. With the encouragement of the printmaker Daniel Chodowiecki, Catel enrolled at the Berlin Kunstakademie, becoming a full member in 1806. In 1807, after already making a name for himself as a watercolourist and book illustrator, he began several years of study at the Acad?mie des Beaux-Arts in Paris, where his main subject was oil painting. In 1811 he moved to Italy, where he stayed for the rest of his life. Initially he wavered between Joseph Anton Koch's classically heroic style of landscape painting and the Romantic lyricism of the Nazarenes. Eventually he found that he could best exercise his technical ability, and most quickly achieve fame and fortune, by producing Italian landscapes. He specialized in Neapolitan scenes depicting festive folk customs; and such paintings proved popular with the mass of wealthy travellers who came to Italy after the Napoleonic Wars.   Related Paintings of Franz Ludwig Catel :. | Lisbeth Eating her Porridge | Holy Week in Spain in Times Past | The bridge of Narni. | Etretat | In Rooms |
Related Artists:
Joseph Heintz
1564-1609 Swiss Painter, draughtsman, architect and artistic adviser, son of Daniel Heintz. He began his training as a painter c. 1579 with Hans Bock I (c. 1550-c. 1623) in Basle. His first surviving drawings (1580) show something akin to Holbein manner in his stained-glass window designs. After completing his apprenticeship he went c. 1584 to Rome, where he studied the works of antiquity, and those of Raphael, Michelangelo, Polidoro da Caravaggio and others. In 1587 he went via Florence to Venice, absorbing the works of Tintoretto, Titian and Veronese. In autumn 1591 the Holy Roman Emperor Rudolf II summoned him as portraitist and court painter to Prague but soon sent him back to Italy, where he drew ancient statues in addition to producing his own work and acting as art agent for the Emperor. In 1592-5 he stayed mainly in Rome, then returned to Prague. In the following years he worked indefatigably as a draughtsman, painter, architect and artistic adviser, moving between Augsburg and Prague.
Currier and Ives
American Publisher, 1834-1907
Lord, Caroline A.
American, 1860-1927






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